LTI Korea 
DLKL 
SIWF 
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Writer
An Heeyeon
An Heeyeon began her poetic career in 2012 when she was awarded the Changbi New Poets Award. Her poetry collections include When Your Sorrow Cuts in, Within What is Called Night, What I Learned on the Summer Hill, and Walking in the Carrot Patch. She has also published prose collections, including House of Words and When You’re Loved, When Night Grows Deep. She was awarded the 2016 Shin Dong-yup Prize for Literature. Author Directory: https://klwave.or.kr/klw/directories/408622/authorsView.do
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Writer
Eunice Lee
Eunice Lee is a translator, poet, and researcher. Her translation of Kim Myeong-sun’s Fruit of Life: Poems will be published by Rutgers University Press.
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Translator
Jack Saebyok Jung
Jack Saebyok Jung is a 2024 National Endowment for the Arts Translation Fellow and the author of Hocus Pocus Bogus Locus (Black Square Editions, 2025). A Truman Capote Fellow at the Iowa Writers’ Workshop, he co-translated Yi Sang: Selected Works (Wave Books, 2020), winner of the MLA’s Aldo and Jeanne Scaglione Prize for a Translation of a Literary Work. His next book of translation, Kim Hyesoon’s Lady No, will be published by Ecco in 2026. He teaches at Davidson College.
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Writer
Jeon Sungtae
Jeon Sungtae has published the short story collections Burying Incense, Crossing Borders, Wolves, The Second Self-Portrait, and We’re Okay Here, as well as the novel The Woman Barber. His collection Wolves, which was inspired by a six-month sojourn in Mongolia in 2005, was published in English by White Pine Press (tr. Sora Kim-Russell, 2017). He currently teaches at Suncheon National University.
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Writer
Leland Cheuk
Author, No Good Very Bad Asian (C&R Press, 2019)
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Translator
Oh Ye Sul
Oh Ye Sul is an assistant professor at Seoul National University. She is interested in the ways modern and contemporary poetry intersect with visual and material culture. She has written on the trans-medial affinities between Elizabeth Bishop and Buster Keaton, Eavan Boland’s museal poetics, and the asymmetrical female friendship in Dion Boucicault’s melodrama.
